January 30, 2026
Three Million, Somehow
Noted.
Still, numbers flatter more than they explain. They can be padded, manipulated, and inflated.
What actually excites me is something quieter and harder to fake. In March, this site turns 17 years old.
Seventeen years of writing, thinking, arguing, refining, reposting, changing my mind, and occasionally getting it right. Seventeen years of watching blogs I admired appear with a flash of brilliance and disappear just as quickly. All while trends burned through themselves and moved on.
Longevity can’t be fudged. You’re either still here or you aren’t.
So yes—thank you to everyone who clicked, read, shared, lurked, or returned over the years. Three million is a milestone. Seventeen years is a testament.
And I know which one I’m prouder of.
A Quiet Toast to Faith, Empire, and Tradition: Celebrating the Feast of Beato Carlo Magno in NYC
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| A vintage Pernod absinthe poster presiding over the meal |
January 29, 2026
Remembering S.A.R. Elisabetta delle Due Sicilie
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| 2 February 1933 – 29 January 2022 |
In memory of S.A.R. Elisabetta delle Due Sicilie, Princess of Württemberg, Dowager Duchess of Calabria, Dame Grand Cross of Justice of the Sacred Military Constantinian Order of St. George, we pray for the happy repose of her soul.
Eternal rest grant unto her, O Lord and let perpetual light shine upon her. May her soul, and the souls of all the faithful departed, through the mercy of God, rest in peace. Amen.
Days of the Blackbird and the Coming of Persephone
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| Mythological Scene with the Rape of Persephone, early 1680s, oil on canvas, Luca Giordano, The National Gallery |
"Nature, as such, has become extinct in our century. Only in the art of previous centuries do we discover, to our astonishment, that nature is not just a simple physics experiment operated by industrious little organisms." ~ Nicolás Gómez Dávila, The Authentic Reactionary
January 28, 2026
Sal Buscema, 1936–2026
He was the younger brother of the legendary John Buscema (1927–2002), and together they formed one of the most influential sibling pairs in comics history. While John was often celebrated for his grandeur and classical power, Sal’s work was marked by clarity, discipline, and an almost architectural command of sequential storytelling. His long runs—especially on The Spectacular Spider-Man—taught generations of readers how comics were meant to flow.
I read their comics as a kid and admired the work for many years. Looking back, it’s clear that what they shared was not just talent, but a seriousness about the craft.
Sal Buscema leaves behind a formidable body of work, defined by strength, discipline, and a mastery of visual composition that helped shape the medium itself. He is survived by his wife and three sons.
~ By Giovanni di Napoli
Remembering Papal Zouave Philippe Marie Jean de Vassal-Cadillac
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| Philippe Marie Jean de Vassal-Cadillac |
The outbreak of the Franco-Prussian War in July, 1870 led France to enact a conscription. Jean was one of those conscripted so he was forced to resign from the unit in August 1870.
Jean became Sergeant Fournier in the French Mobiles and was then promoted to Lieutenant in the 119th Line Infantry Regiment.
During the 2nd Battle of Dijon on December 18, 1870, he received two gunshot wounds and was seriously injured. Never truly recovering, he died in Angers on January 28, 1873.
The above portrait comes from my personal collection and once belonged to the Vassal-Cadillac family.
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| Archduchess Maria Theresa |
I also have Jeaan's Papal Zouave Manual Prayer Book. Page 117 is circled which includes a prayer of thanksgiving after Communion and instructions on how to receive an indulgence.
Below is the translation.
ACT OF KINDNESS
The tenderest and most generous of friends! what could now separate me from you, after you have given me such touching proof of your love? Ah! I renounce with all my heart what had taken me away from you; and I propose, with the help of your grace, to fall no more into faults which have so often afflicted your heart.
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| Papal Zouave Manual prayer book |
O good and sweetest Jesus, before Thy face I humbly kneel, and with all fervour of soul I pray and beseech Thee to vouchsafe to fix deep in my heart lively sentiments of faith, hope, and charity, true contrition for my sins, and a most firm purpose of amendment; whilst I contemplate with great sorrow and love Thy five Wounds, and ponder them over in my mind, having before my eyes the words which, long ago, David the prophet spoke in his own person concerning Thee, my Jesus: Foderunt manus Meas et pedes Meos; dinumeraverunt omnia ossa Mea.*
Five Paters and five Aves are then said, for the ordinary intentions of the Holy Church, to receive the plenary indulgence.
By Brendan Cassell (Papal Zouave History @PapalZouaveUS)
* They dug My hands and My feet; they numbered all My bones.
Remembering Henri du Vergier, Comte de la Rochejaquelein
| The Death of Henri de La Rochejaquelein by Alexandre Bloch |
"Friends, if I advance, follow me! If I retreat, kill me! If I die, avenge me!" ~ Henri du Vergier de la Rochejaquelein
Eternal rest grant unto him, O Lord and let perpetual light shine upon him. May his soul, and the souls of all the faithful departed, through the mercy of God, rest in peace. Amen
January 27, 2026
Who Are the Real LARPers?
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| The Crown Jewels, 1887, by Blaise Desgoffe. The painting depicts the Crown of King Louis XV and the sword of Blessed Emperor Charlemagne |
Whenever we meet new people and certain views come to light, familiar questions tend to arise. The same is true for new readers here. It's worth addressing the most pertinent ones directly.
How would you respond to critics who claim that monarchists are disconnected from political reality, or merely sentimental idealists lost in a historical fantasy?
In the popular imagination, to be a monarchist today is often to be dismissed as a LARPer—a dreamer lost in romantic pageantry, acting out in a world that has “progressed.” Monarchists are mocked as quixotic fantasists with no real grasp of political reality. And yet, what appears more delusional: the sober recognition that order, hierarchy, and transcendence form the pillars of any enduring civilization, or the misguided belief that democracy, equality, and progress can build a coherent and lasting society?
The modern liberal state rests upon several articles of faith: that all men are equal, that history moves inexorably toward greater freedom and enlightenment, and that the rule of the many is wiser and more just than the rule of the one. Long treated as self-evident truths, these assumptions now reveal their failures. Egalitarianism produces resentment rather than harmony. Democracy devolves into a procedural contest of interests, easily manipulated by oligarchic forces. “Progress” increasingly serves as a euphemism for the managed decline of culture, authority, and meaning itself.
The monarchist’s worldview does not promise utopia; it promises continuity. Authority is not invented but inherited, sanctified, and exercised within limits set by divine or natural law. Unlike the faceless bureaucrat or the demagogic party functionary, the monarch embodies a sacrificial function, bearing the burden of political and spiritual order as a duty and offering for the common good. He does not reign to flatter the mob or manage opinion, but to stand as a visible link between the people and the transcendent. His authority is not absolute, but symbolic of a higher order, which is precisely what modernity has severed in its hubris.
The liberal order, in contrast, suffers from a curious schizophrenia. It insists that all hierarchies are arbitrary, while simultaneously enthroning technocratic elites; it preaches tolerance while engaging in cultural erasure; it claims to liberate the individual while dissolving all bonds of tradition, place, and faith that give individual life meaning.
Who then is the LARPer? The man who looks to the past for the principles that built civilization—or the one who acts out the fantasy that mankind, newly unmoored from faith and culture, can invent a just society ex nihilo (from nothing, as if by sheer will alone) through votes, slogans, and algorithms?
Monarchism is not a “LARP.” It is the political expression of metaphysical realism. It is an acknowledgment that man is fallen, that power must be based in tradition, and that legitimacy cannot be manufactured but must be transmitted. To believe otherwise requires not only delusion, but faith in illusions that, after centuries of trial, no longer even pretend to work.
~ By Giovanni di Napoli, January 26th, Feasts of Sant’Alberico di Cîteaux and Santa Paola Romana
January 25, 2026
Ponderable Quote from The Making of Italy by Patrick Keyes O’Clery
"Besides making the soldiers live at free quarters on the people, another expedient was the more ordinary one of selling their lands and goods. Year after year these were thrown on the market in such numbers as to bring very low prices, while the unfortunate owners left the country:— year after year the tide of emigration from Italy has increased. But the Italian is told he is free. It is true he is still subject to arbitrary arrest, to imprisonment in which he waits wearily for trial, and to domiciliary visits; it is true that the press is liable to State prosecutions and suppression, and that "order" is guaranteed by an active gendarmerie, who are not over-scrupulous in their proceedings. The Italian will say he had all this under some at least of the old governments. But the Government of United Italy gives him more than this. He no longer sees the monastery looking down upon his village, but he has the secularist school, he can travel by railway (though it is true he sometimes looks in vain for a good road to it), he has the privilege of spending some years in barracks under the law of compulsory military service; instead of the various metallic coinages of the old States, he has one uniform currency of dirty paper, and as the value of this paper fluctuates, and it would be difficult to state prices both in coin and paper, the shopkeepers are saved the trouble by there being scarcely as much as a franc piece in circulation. Finally, the free Italian has the advantage of paying a tax on everything he touches or possesses. It is lamentable that in some parts of Italy all these advantages were not always appreciated as they should be. The Sicilians especially behaved badly. They had an unpleasant habit of shooting the tax-collector, and taking to the hills as brigands, where the bersaglieri hopelessly attempted to hunt them down." (pp. 366-367)
Antonello da Messina’s Ecce Homo and a Penitent Saint Jerome Come to Market at Sotheby’s
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| Ecce Homo (recto) and St. Jerome in Penitence (verso), double-sided panel, tempera grassa on panel, Antonello da Messina, circa 1430-1479 |
Antonello di Giovanni di Antonio was born in Messina, in northeastern Sicily around 1430. One of the most compelling yet elusive figures of the Italian Renaissance, his career remains only fragmentarily documented, and the precise means by which he mastered Netherlandish painting techniques remain the subject of scholarly debate. Antonello probably trained in the workshop of Niccolò Colantonio in Naples, a city with unusually strong artistic and commercial ties to Northern Europe. King Alfonso of Aragon’s collection, for instance, included paintings by Jan van Eyck and Rogier van der Weyden, which Antonello may have encountered directly or experienced indirectly through Colantonio. Giorgio Vasari later credited Antonello with introducing oil painting to Italy, though that claim is now regarded as an overstatement. Antonello’s early career was likely peripatetic, possibly including travel to Provence and other regions, though the absence of archival records renders this speculative. By 1457 he had returned to southern Italy, where he was contracted by the confraternity of San Michele dei Gerbini in Reggio Calabria to paint a processional banner. By January 1461 he had settled in Messina, where he probably produced the present painting and where he likely remained for much of the decade.
January 24, 2026
A Birthday Honored with Neapolitan History and Devotion
Heartfelt thanks to my friends for these remarkably thoughtful birthday gifts. The October 1977 issue of The Connoisseur—with its deep attention to the "Bourbons of Naples," "Sebastiano Conca at Holkham," "Eighteenth-Century Neapolitan influence on the Decorative Arts," "The Laboratorio delle Pietre Dure," and "Le Voyage Pittoresque de Naples et de Sicile"—is a time capsule of serious taste and scholarship. Paired with Francesco II, Il Re Cattolico (2016), a moving and rigorous volume drawn from an unpublished manuscript of the last King of the Two Sicilies and enriched by contemporary scholars, it reflects a deep respect for history, faith, and continuity. I’m grateful not only for the beauty and substance of these works, but for the thoughtfulness and common understanding they convey.
Two Newspapers, One Lynching: Sicily, New Orleans, and a Shared Memory of Violence
January 23, 2026
Sanfedisti Mark the 7th Annual King Louis XVI of France Memorial Dinner in Brooklyn

Makeshift shrine with portraits of Queen
Marie Antoinette and King Louis XVI
Domine salvum fac Regem et exaudi nos in die qua invocaverimus te. Gloria Patri et Filio, et Spiritui Sancto. Sicut erat in principio et nunc et in saecula saeculorum. Amen.On Wednesday evening, members and friends of Sanfedisti gathered in Brooklyn to mark the 233rd anniversary of the martyrdom of King Louis XVI of France. Braving the winter cold, we shared a simple Sicilian meal, honored the memory of the fallen King, and reflected on the enduring lessons of the French Revolution. Conversation turned, as it always must, to the current challenges facing the Church, the nation, and the moral order—connecting past tragedies with present responsibilities in a spirit of remembrance, fellowship, and fidelity.
Lord, save the King, and hear us when we call upon thee. Glory to the Father and the Son, and the Holy Spirit. As it was in the beginning and is now, and it shall be, forever without end. Amen.
I would be remiss if I didn't thank the guys for including my birthday in the festivities. It was a fun night, and your kindness and generosity were greatly appreciated, mille grazie. Vive le roi!
Tradition at the Table: Mass for Bl. Maria Cristina, Talk on S.D. Francis II
Church of Saint Rocco
18 3rd Street
Glen Cove, NY 11542
An evening of food and faith with a Mass for Bl. Maria Cristina and talk on Servant of God Francis II, Last King of the Two Sicilies
This event directly follows the 7:00 PM Missa Cantata for the feast of Blessed Maria Cristina of Savoy at Saint Rocco's at approximately 8:30 PM
Join us for an inspiring lecture over dinner and drink from Brendan Young, Knight of Merit and Executive Director of the Sacred Military Constantinian Order of Saint George American Delegation, exploring the remarkable life of Servant of God Francis II, the last King of the Two Sicilies. This event delves into the faith and difficulties he faced as his kingdom fell and his life thereafter. Described as "more seminarian than a soldier," he adopted Our Lady as his mother, having never known his own, as she had died shortly after his birth. Francis II showed great mercy in all facets of his life, even to the Piedmontese forces he faced at Gaeta, where he made his last stand.
ages 21+: $35
13-20: $30
12 and under: $20
Please RSVP by getting your ticket here or emailing TraditionAtTheTable@Gmail.com by Thursday, January 29th. Please indicate if children are attending your party so food can be provided. Additionally, please let us know if there are any dietary restrictions we should be aware of.
Direct any questions or concerns to Michael Intrieri at (516) 754-1761 or by emailing TraditionAtTheTable@gmail.com
Speaker: Cav. Brendan Young
Cav. Brendan Young is originally from Western New York. After linguistic and theological studies in Italy, he returned to the United States, where he became the Executive Director of the American Delegation of the Dynastic Orders of the Royal House of Bourbon-Two Sicilies in 2020.
Learn more about the Sacred Military Constantinian Order of Saint George by visiting https://www.smocsg.org
January 22, 2026
In Memoriam: Rocco B. Commisso
He was a husband, a father, a grandfather, and a pillar of his family and community. His love was expressed through constancy—valuing order, respect, and the rituals that give life structure: Sunday meals, familiar stories, and the steady rhythms of family life.
He emigrated with his family to the Bronx, New York, in 1961 at the age of twelve. As his entrepreneurial family expanded in the food and entertainment businesses, he worked alongside his father and siblings. He graduated from Mount Saint Michael’s Academy and went on in the 1970s to study industrial engineering at Columbia University on a full scholarship, later earning his MBA.
After professional roles at Pfizer, JP Morgan Chase, and the Royal Bank of Canada, he founded Mediacom Communications, which grew to become the fifth-largest cable provider in the United States, operating across twenty-two states and offering high-speed data and mobile services.
An accomplished athlete, he played soccer for Columbia University, earning three All-Ivy League honors and an invitation to try out for the 1972 Olympic team. His lifelong love of the sport later led him to invest in soccer ownership. In 2017, he purchased a majority stake in the New York Cosmos, and in 2019, acquired ACF Fiorentina in Florence. In recognition of his achievements, Columbia University named its soccer stadium in his honor.
A man of deep cultural roots, he remained closely tied to his Calabrese heritage. He understood identity not as performance, but as inheritance—carried forward through habits, food, faith, and memory. His charitable work was generous and quiet, and he used his creativity and business acumen to add lasting value to Calabria, as well as to his adopted communities in New York and Florence.
Rocco B. Commisso died on January 19, 2026. His funeral was held at St. Patrick’s Cathedral in New York City. A memorial Mass is planned at the Duomo of Florence on January 26. Among numerous business and civic honors, he received the Ellis Island Medal of Honor, the NIAF Lifetime Achievement Award, and induction into the National Italian American Sports Hall of Fame.
Those who knew him remember a man who did not seek attention, yet commanded respect—unassuming despite immense success, measured in judgment, and reassuring in presence. In a restless age, he represented continuity and decency.
He is survived by his loving family, who carry forward his name, his values, and the quiet example he set. He will be deeply missed, fondly remembered, and enduringly honored—not only for the life he lived, but for the foundation he left behind in both the United States and Italy.
~ By Antonio Isernia
New Book — Neapolitan Proverbs: A Journey through the Sayings and Wisdom of Partenopean Tradition
• Neapolitan Proverbs: A Journey through the Sayings and Wisdom of Partenopean Tradition by Testi Creativi
Publisher: Independently published
Publication date: October 2, 2025
Hardcover: $11.90
Kindle: $4.99
Language: English
Pages: 189
Read description
Click here to see more books
Listing does not imply any endorsement
January 21, 2026
Remembering King Louis XVI
| 23 August 1754 - 21 January 1793 |
Domine salvum fac Regem et exaudi nos in die qua invocaverimus te.1In memory of Louis XVI, King of France and Navarre executed during the Reign of Terror, we pray for the happy repose of his soul. Vive le roi!
Eternal rest grant unto His Majesty, O Lord and let perpetual light shine upon him. May his soul, and the souls of all the faithful departed, through the mercy of God, rest in peace. AmenNote:
(1) Lord, save the King, and hear us when we call upon thee.
January 20, 2026
A Snowy Sunday at the Morgan
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| A quiet winter afternoon, the park hushed beneath fresh snow |
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| Pletà, ca. 1470, tempera and oll on panel, transferred to fiberglass panel, Giovanni Bellini (1424/26-1516) |
This presentation marks the first U.S. showing of Giovanni Bellini’s Pietà, newly conserved and on loan from the Museo della Città in Rimini. Displayed in J. Pierpont Morgan’s Study alongside Renaissance works from the Morgan’s own collection, the painting reveals Bellini’s restrained vision of grief, with youthful angels quietly preparing Christ’s body for veneration. The result is a deeply contemplative image whose sorrow is expressed through stillness rather than drama.
Caravaggio’s Boy with a Basket of Fruit
This focused exhibition centers on Caravaggio’s early Boy with a Basket of Fruit, on loan from the Galleria Borghese in Rome, a work whose frank naturalism broke sharply with Roman ideals. Shown alongside Lombard precedents, paintings by Annibale Carracci, and works documenting Caravaggio’s influence, the installation traces both his roots and his immediate impact. It concludes with Gian Lorenzo Bernini’s portrait drawing of Scipione Borghese, the painting’s early owner and great champion.
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| (L) Girl with Cherries, ca. 1491-95, oil on panel, attributed to Marco d'Oggiono (ca. 1467-1524). (R) Four Seasons in One Head, ca. 1590, oil on panel, Giuseppe Arcimboldo (1527-1593) |
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| Basket of Fruit, ca. 1620, oil on canvas, Bartolomeo Cavarozzi (1587-1625) |
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| A Life Study: A Monk Sleeping Against a Pile of Books, ca. 1616, red chalk, Rutilio Manetti (1571-1639) |
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| (L) Portrait of Cardinal Scipione Borghese, ca. 1632, red chalk over graphite, Gian Lorenzo Bernini (1598-1680) (R) Head of a Youth in a Hat, ca. 1600-1610, red chalk, Cristofano Allori (1577-1621) |
This seasonal rotation in J. Pierpont Morgan’s library draws from across the Morgan’s collections, spanning medieval manuscripts, early printed books, literary papers, and musical autographs. Highlights range from Mozart’s wartime dance music and a medieval astrological treatise to Vesalius’s revolutionary anatomy and the fantastical worlds of Mandeville’s Travels, revealing how knowledge, myth, and art were recorded and transmitted across centuries. Shown together, these objects trace a continuous intellectual tradition shaped by curiosity, conflict, and imagination.
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| Contredanse "La bataille" (The battle), K. 535, autograph manuscript, Vienna, January 23, 1788, Wolfgang Amadeus Mozart (1756-1791) |
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| String Quartet in D Minor, H. III, 83, autograph manuscript, 1803, Joseph Haydn (1732-1809) |
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| (L) The Pence Table, Set to Music, London: printed for the author by L. Lavenu, 1796-98, Thonas Attwood, (1765-1838). (R) Mozart autograph manuscript, 1925, Reynaldo Hahn (1875-1947) |























































